2024
Disney’s ‘Primos’ Creator and First Trailer Reveal New Animated Series – The Hollywood Reporter
How The CW’s ‘Sight Unseen’ Built a Production For and Driven By Blind and Low Vision Creatives – The Hollywood Reporter
Hollywood Is “Inherently Financially Unstable” for Writers, Survey Finds – The Hollywood Reporter
Evan Rachel Wood, Darren Criss on Stepping Into ‘Little Shop of Horrors’: “We’re Both These Little Theater ’90s Nerds” – The Hollywood Reporter
2023
How ‘Home Alone,’ Lil Jon, and ‘Calvin and Hobbes’ Helped ‘Merry Little Batman’ Deliver the DC Hero’s First Christmas Movie – The Hollywood Reporter
‘Lakota Nation vs. United States’ Directors on Capturing the Evolving Battle for Indigenous Land Rights: We’re “Still Hemorrhaging People” – The Hollywood Reporter
How Marlee Matlin and Troy Kotsur Helped the 2023 Media Access Awards Make History – The Hollywood Reporter
‘Blue Eye Samurai’s’ Exploration of Mixed Race Identity Helps It “Break All of the Boxes” in Animated Storytelling – The Hollywood Reporter
Max’s ‘Scavengers Reign’ Created an Animated Series Like “Nothing You’ve Ever Seen” – The Hollywood Reporter
‘The Shining,’ ‘Dune’ and Coffin Homes Inspired the Housing and Office Spaces of ‘Upload’ Season 3 – The Hollywood Reporter
‘The Persian Version’ Director Maryam Keshavarz on Capturing Iran’s Culture and History Through Three Generations of Women – The Hollywood Reporter
‘Goosebumps’ Is All Grown Up: How the Disney+ Adaptation Is Reimagining R.L. Stine’s Books for Older Teens – The Hollywood Reporter
“There’s Always a New Battlefront”: How NewFest, New York’s LGBTQ Film Festival, Is Still Surviving – The Hollywood Reporter
For Sterlin Harjo, the End of ‘Reservation Dogs’ Was Always Going to Be About Community – The Hollywood Reporter
“We Thrive in Chaotic Good”: New York Comic Con Could Be the Antithesis of SDCC’s Strike-Affected Year – The Hollywood Reporter
Aristotle and Dante Discover the Secrets of the Universe’ Director on Her 7-Year Journey With the Film: “The Most Pure, Personal Experience of My Life” – The Hollywood Reporter
Inside ‘The Last of Us,’ ‘Stranger Things’ and More Universal Studios Halloween Horror Nights Houses – The Hollywood Reporter
“We’re Not Invisible”: Disabled SAG-AFTRA and WGA Members on Accessibility Challenges — and Solutions — at the Picket Lines – The Hollywood Reporter
‘Praise Petey’ Showrunner on Bringing Cults and Romance to Freeform’s First Adult Animated Series – The Hollywood Reporter
Hello Sunshine and Making Space Media’s Unscripted First-Look Deal Could Change Hollywood’s Disability Narratives – The Hollywood Reporter
‘Red, White & Royal Blue’ Director Matthew López on the Complexities of Helming an Interracial, “Queer Ass” Love Story – The Hollywood Reporter
After Comic-Con, Cosplayers Get Greater Clarity on SAG-AFTRA’s Strike Guidelines – The Hollywood Reporter
‘The Lion King’ After 25 Years: How a Broadway Hit Stages 10 Shows Around the Globe – The Hollywood Reporter
The Power of Pink: How ‘Nimona’ Uses Color to Subvert Stereotypes and Embrace Self-Expression – The Hollywood Reporter
Broadway’s ‘Once Upon a One More Time’ Spun a Britney Spears Fairy Tale — With Her Consent – The Hollywood Reporter
Colman Domingo’s ‘You Are Here’ Is Flipping the Script on TV’s Travel Genre – The Hollywood Reporter
How ND Stevenson Created the Healing, “Punk-Rock” Tale of Netflix’s ‘Nimona’ – The Hollywood Reporter
“Adult Animation Is in a Renaissance”: Warner Bros., Adult Swim and Max Execs Tease New Projects, Expanding the Medium to All Audiences – The Hollywood Reporter
Netflix’s ‘Spirit Rangers’ Is Rewriting Animation’s Native and Indigenous Representation – The Hollywood Reporter
How Sesame Workshop and Fred Rogers Productions Keep True to Their Mission 55 Years Later – The Hollywood Reporter
Kids TV From Spielberg and Guillermo del Toro: How Dreamworks Animation TV Changed Children’s Programming – The Hollywood Reporter
John Leguizamo on Exploring Latin History With MSNBC’s ‘Leguizamo Does America’ – The Hollywood Reporter
‘Dark Disabled Stories’ Invites Audiences to an Experiment in Unapologetically Accessible Theater – The Hollywood Reporter
How the Landscape of Native-Led Stories Has Changed Between ‘Avatars’: “We’re Flexing Our Sovereignty” – The Hollywood Reporter
‘Marvel’s Moon Girl and Devil Dinosaur’ and ‘My Dad the Bounty Hunter’ Break Ground for Black Families in Animation – The Hollywood Reporter
How the Recording Academy, RAMPD Expanded Accessibility and Disability Inclusion for the Grammys’ L.A. Return – The Hollywood Reporter
Barry Jenkins and Raven Jackson on the Visual Poetry of ‘All Dirt Roads Taste of Salt’ – The Hollywood Reporter
2023 Strike Coverage
2022
How Stuntwoman Jénel Stevens Conquered Fear and the MCU to Reign in ‘The Woman King’ – The Hollywood Reporter
‘KPOP’ Composer Helen Park, Star John Yi on Musical’s Representational Impact and Broadway’s AAPI Inclusion – The Hollywood Reporter